Wednesday, April 8, 2009

Sayonara





Joshua Logan's 1957 film "Sayonara" starring Red Buttons, Marlon Brando, James Gardner, Miyoshi Umeki, and Miiko Taka. I have to be honest, even though the film was a scathing indictment of the United States military bureacracy (not only in relation to bi-racial relationships but also the social effects of war) I wasn't overly moved. I was pleased with Lloyd's (Brando's) transformation but was disappointed to see Joe Kelly (Red Buttons) declare his life blessed - while his wife, Katsumi (Miyoshi Umeki) bathed him, fed him, and essentially serviced him. I was frowned upon the scene were Kelly throws Katsumi against the floor after his discovery of the epicanthic fold removal pamphlet in her pocket book. That being said, it was the most powerful scene in the entire film, aside from their double suicide. I know I am hard to please but even the kibuki performances seemed below par and even Miiko Taka's various skits were highly Westernized and uninspiring. I was happy to see that Logan made reference (even if not intentionally) to Chikamatsu's "Double Suicide at Amijima" which I read an embarrassingly long time ago for a literature class. The double suicide evidenced Kelly's transformation and acculturation, dying an honorable death for love. Whereas in the end, Miiko Taka's character embarked on a different route to happiness ~ rejecting traditional attitudes towards women (she comments in the end that Japanese women were forbidden to speak publicly) and emblemizing the New Woman of Japan.

I give this film a 2.5






Walter Ruttman's 1927 silent film "Berlin: Symphony of a Great City" in its entirety (this is well worth the watch - think Jack London with a film crew and the "eye" of Jacob Riis.

First photograph is a still from Ruttman's film, the second is by Riis and titled "Downtown Morgue" 1890 and the last, also by Riis, is titled "Mullen's Alley" from 1888.


The City as Monster











Today's post was inspired by a paper I am doing for one of my classes - to show how industrialism turned Hausmann's Paris into a monster, I am watching/researching Terry Gilliam's bizarro film "Brazil" - you can watch the movie in three parts here:
Check our DeNiro!
You can also enter "Metropolis" into the search bar and watch Fritz Lang's silent film in its entirety.

"Last Tango in Paris"



"Last Tango in Paris"

Bernardo Bertolucci's film starring Maria Schneider (who hasn't aged well in the least) and Marlon Brando.

Schnedier claims that Brando improvised the infamous butter scene himself and that she felt somewhat raped by its addition. It took one take, Schneider claims, and during the scene she is crying real tears..

Gato Barbieri (first photo) performed the music for the soundtrack of "Last Tango" that propelled his popularity for American audiences. Listen to clips from the soundtrack here:

"The Bed Sitting Room"


Memorable quotes from "The Bed Sitting Room" courtesy of Phespirit:



The Bed Sitting Room (1969)
This bleakest of post-apocalyptic black comedies takes place on the third (or is it the fourth?) anniversary of the nuclear misunderstanding which lead to the Third World War - at two minutes twenty-eight seconds, the very shortest war in history.
The twenty people known to be left alive in England must now 'keep moving' aimlessly through a ravaged landscape and an assortment of highly surreal encounters.
Amidst the madness, Lord Fortnum must try to reach Belgravia before mutating into a bed-sitting room, Penelope is pregnant with a child she's carried for seventeen months (to protect it from the world), Bules Martin fears for his virility, and Mrs Ethel Shroake has inherited the throne.

[ Phespirit enjoys: No belly laughs, just pure, unfettered Milligan weirdness. Immaculately played out by an assortment of Britain's finest straight and comic actors and actresses. Sadly, the brilliant Ralph Richardson mutates into a bed sitting room far too early in the film. ]
Players
Ralph Richardson - Lord Fortnum of Alamein;Michael Horden - Bules Martin;Arthur Lowe - Father;Mona Washbourne - Mother;Rita Tushingham - Penelope;Spike Milligan - Mate;Marty Feldman - Nurse Arthur;Peter Cook - Police Inspector;Dudley Moore - Sergeant;Jack Shepherd - Under Water Vicar;Ronald Fraser - The Army;
Quotes
SERGEANT:
Constable, liven that man up with your truncheon!
FATHER:
He tied his thumbs up with string and exposed himself for a limited period between Bagshot and Camberley.
BULES MARTIN:
Was that you, sir? A post-war gesture, I suppose. I hope you destroyed the string .....
UNDER WATER VICAR:
Just a thought - have you considered the new economical combined marriage and divorce ceremony? Three pounds one shilling. Catholics extra.
BULES MARTIN:
No, we couldn't afford the divorce just now. She'll have to be satisfied with the wedding.
MATE:
'Ere, are you the bloke-, er, officer what was in charge of the nuclear detergent in the last atomic war?
THE ARMY:
I am he.
MATE:
Bad news - it has been returned to sender and there's three and nine to pay on it in Chinese dollars.
POLICE INSPECTOR:
I expect you may be wondering why I've invited you all here this afternoon. I've just come from an audience with Her Majesty, Mrs Ethel Shroake, and I'm empowered by her to tell you that, in the future, clouds of poisonous nuclear fog will no longer be necessary. Mutations will cease sine die and, furthermore, I'm the bringer of glad tidings. A team of surgeons at the Woolwich hospital have just accomplished the world's first successful complete body transplant. The donor was the entire population of South Wales, and the new body is functioning normally. I, myself, saw it sit up in bed, wink, and ask for a glass of beer.All in all, I think we're in for a time of peace, prosperity and stability, when the earth will burgeon forth anew, the lion will lie down with the lamb, and the goat will give suck to the tiny bee.At times of great national emergency, you'll often find that a new leader tends to emerge. Here I am - so watch it. Keep moving, everybody, that's the spirit! Keep moving!
*****

Monday, April 6, 2009

Thanks all for visiting my blog!
I hope this will become a site where we can share our passion for the Arts and one another.
Enjoy!


I have been on a Marlon Brando kick for a couple of days now, devouring as much information about his tragic life and watching as many of his well, many, films as possible. My interest was stimulated by a three-hour documentary on Brando on TMC a couple nights ago. I was moved by the various descriptions of Brando's work by Jon Voight, James Caan ("The Real Jewish Cowboy"), Al Pacino, Martin Scorsese, Robert Duvall, and Johnny Depp. Brando's name came up in a recent New York Time article in the Arts section about the recitation of poetry that revealed how truly sensitive a man he was. http://www.nytimes.com/2009/04/05/books/review/Holt-t.html?_r=1&em
"Marlon shouldn't have been a person. It was too much, too extraordinary. He was more than a person. He could have been an element, a part of nature." Ellen Adler, one of Brando's (many) friends.
As successful as Brando was in his films, though, his personal life was pursued by Tragedy. His son, Christian Brando, would go on to murder his sister's lover and father of her unborn child. The death of Dag Drollot was matched by his daughter's suicide. Ashamed as I am to even mention this, I stumbled upon a website ("Dark Destinations") where curious cybervoyeurs can look at Drollot's death site on Mulholland Drive, courtesy of Google Earth. http://www.thecabinet.com/darkdestinations/location.php?sub_id=dark_destinations&location_id=dag_drollet_death_site
Tonight's homework: Watch "The Last Tango in Paris" - a review will be forthcoming.